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1Scan for outdated or missing drivers - takes under a minute2Clear out junk files and repair common Windows errors3Fix the driver behind crashes, sound loss and screen glitchesThe Fall Guy uses a combination of licensed rock and pop songs, character-driven karaoke and radio moments, and Dominic Lewis’s original action-comedy score. The most important distinction is that the movie’s complete music lineup is not the same as the official soundtrack album: the 24-track Back Lot Music release is primarily Lewis’s score, with selected vocal tracks, while several recognizable songs heard in the film are not on that album.
Below is a chronological guide to the confirmed songs, approximate scene timings, the music’s dramatic function, the official album track list, and additional titles reported by databases but not precisely verified in the finished film.
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Every confirmed song in The Fall Guy, in order
The timings below are approximate scene markers based on the subtitle timing of a version running about 2 hours and 6 minutes. Different theatrical, streaming, digital, and extended editions may shift a song by several seconds—or more—so use the times to locate scenes rather than as frame-accurate universal timestamps.
| Approximate time | Song | Artist or version | Where it plays |
|---|---|---|---|
| Opening, around 00:01 | “I Was Made for Lovin’ You” | KISS | The original recording accompanies the opening presentation of stunt work and establishes the film’s stuntman-centered identity. |
| Around 00:11:00 | “Thunderstruck” | AC/DC | Plays over the early high-risk stunt material, including the aircraft action and Colt Seavers’s return to the stunt world. |
| 00:30:56–00:35:45 | “All Too Well (Taylor’s Version)” | Taylor Swift | Colt hears the song on his car radio as the drive expands into memories and emotional recollections involving Jody Moreno. |
| Around 00:37 | “All I Do Is Win” | DJ Khaled featuring T-Pain, Ludacris, Snoop Dogg and Rick Ross | Used around Colt’s visit to Tom Ryder’s apartment. |
| 00:56:29–00:58:15 | “I Believe in a Thing Called Love” | The Darkness | Soundtracks the deliberately chaotic filmed stunt sequence directed by Jody. |
| 00:59:58–01:01:07 | “Genie in a Bottle” | Christina Aguilera | Heard during the studio-party and social sequence involving discussion of Nigel and possible relationships. |
| 01:06:21–01:09:27 | “Against All Odds (Take a Look at Me Now)” | Phil Collins | Jody sings along during the karaoke-bar sequence, and the song continues as the scene develops. |
| From around 01:56:23 | “I Was Made for Lovin’ You” | KISS | The song returns after the major confrontation, underscoring the rescue and action payoff before carrying into the final stretch. |
| End credits | “Any Way You Want It” | Journey | Used over the closing-credit roll. |
The three most important musical moments
“All Too Well (Taylor’s Version)” turns a drive into a memory sequence
Taylor Swift’s “All Too Well (Taylor’s Version)” is the film’s clearest emotional needle drop. It begins as something Colt is listening to in the car, but the sequence grows beyond a simple radio moment: the song becomes a bridge into his memories of Jody and the relationship they have lost. Its extended placement—approximately 00:30:56 to 00:35:45—gives the film room to move from physical stunt spectacle to regret, longing, and unfinished personal business.
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That context matters because the song is not merely background decoration. It helps explain Colt’s emotional state before the investigation surrounding Tom Ryder’s disappearance pulls him back into action.
“I Believe in a Thing Called Love” matches Jody’s maximalist stunt filmmaking
The Darkness’s “I Believe in a Thing Called Love” plays during one of the movie’s most knowingly excessive filmed-stunt passages. The song’s theatrical energy fits Jody’s attempt to make a sequence bigger, stranger, and more exciting, while the action itself turns the practical hazards of stunt work into comedy. At roughly 00:56:29–00:58:15, the music functions almost like a mission statement for The Fall Guy: romance, spectacle, danger, and absurdity are all operating at once.
“Against All Odds” makes karaoke part of the relationship drama
Phil Collins’s “Against All Odds (Take a Look at Me Now)” is used in the karaoke-bar sequence, where Jody sings along while the emotional complications between the characters continue to surface. The song’s deliberately earnest heartbreak creates a contrast with the film’s jokes and stunt chaos. It is also worth identifying the recording correctly: the film-song evidence supports Phil Collins, not the Straight No Chaser version that appears in some inconsistent secondary listings.
The KISS song has three different identities in the film’s music world
“I Was Made for Lovin’ You” is the recurring musical idea most closely tied to The Fall Guy. The original KISS recording appears in the film near the beginning and returns during the climax. But the KISS recording is only one part of the film’s broader music strategy:
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- KISS’s original recording is heard in the feature, including the opening and the late-film return.
- YUNGBLUD’s cover, titled “I Was Made For Lovin’ You,” appears on the official soundtrack album.
- Dominic Lewis’s orchestral version also appears on the album as a separate track.
These are three distinct recordings, not alternate names for one track. The repeated KISS song also connects the new film to the flamboyant, larger-than-life spirit of the 1980s Fall Guy television property.
What is on the official The Fall Guy soundtrack album?
Back Lot Music released the official original-motion-picture soundtrack on May 3, 2024. Dominic Lewis is the composer. The album contains 24 tracks, but it should not be treated as a complete playlist of every licensed song heard in the movie. Most of its tracks are short instrumental score cues written for particular action, comedy, romance, or suspense moments.
The album opens with two vocal tracks: YUNGBLUD’s “I Was Made For Lovin’ You” and Blake Shelton’s “Unknown Stuntman (Fall Guy Theme).” The remaining tracks are principally Lewis’s original score:
- “I Was Made For Lovin’ You” — YUNGBLUD
- “Unknown Stuntman (Fall Guy Theme)” — Blake Shelton
- “Thumbs Up” — Dominic Lewis
- “Metalstorm” — Dominic Lewis
- “Third-Degree Burn” — Dominic Lewis
- “Sexy Bacon” — Dominic Lewis
- “Oner of a Lonely Heart” — Dominic Lewis
- “Dead Guy On Ice” — Dominic Lewis
- “Fruit Plate” — Dominic Lewis
- “Bon Garçon” — Dominic Lewis
- “Ball Biter” — Dominic Lewis
- “Post-It Party” — Dominic Lewis
- “Ducking Autocorrect” — Dominic Lewis
- “Attaque!” — Dominic Lewis
- “Miami Grilled Cheese” — Dominic Lewis
- “I Was Made For Lovin’ You” — orchestral version
- “Chef’s Kiss” — Dominic Lewis
- “High Noon at the End of the Universe” — Dominic Lewis
- “Pyro Prep” — Dominic Lewis
- “Wire Straits” — Dominic Lewis
- “The Fall Guy” — Dominic Lewis
- “Waiting For Love” — Dominic Lewis
- “Unsung Heroes” — Dominic Lewis
- “Ain’t No Galaxy” — Dominic Lewis
Lewis’s score was recorded in part at Abbey Road Studios and mixed at The Village Studios in Los Angeles. The music team also includes conductor Gavin Greenaway, orchestrator Tommy Laurence, and music supervisor Rachel Levy.
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If you want the score rather than a playlist of the film’s licensed songs, the The Fall Guy soundtrack album is the relevant release. It is not a substitute for the complete in-film song list above.
Physical soundtrack and home-media editions
For collectors: the two-LP score release
Mutant released a physical two-LP edition of Dominic Lewis’s score in partnership with Back Lot Music. This is a collector’s edition of the original score, not a compilation containing “Thunderstruck,” “All Too Well,” “Genie in a Bottle,” and every other licensed song heard in the movie. Retailer stock, pressing details, and pricing can change, so confirm the edition before purchasing.
The natural choice for a vinyl collector is the The Fall Guy soundtrack vinyl release, provided the listing matches the Dominic Lewis score and the documented two-LP edition.
For watching the movie: 4K, Blu-ray, DVD, and digital
Universal lists The Fall Guy in 4K Ultra HD, Blu-ray, DVD, and digital formats. The 4K/Blu-ray product family includes an extended cut, so buyers should check the specific product description rather than assuming every edition contains the same version. The The Fall Guy 4K Blu-ray is the most relevant physical option for viewers who want the strongest home presentation and access to the extended version where included.
Availability and retailer inventory are subject to change. If the extended version is the priority, look specifically for the wording that identifies The Fall Guy extended cut and verify whether it is included on the disc, digital code, or both.
Additional songs reported in databases—but not precisely timed here
Several other titles appear in soundtrack databases or published song guides connected with The Fall Guy. They should not be presented with the same certainty as the songs in the chronological table. The available evidence does not establish a precise placement in the finished feature for all of them, and some may relate to trailers, background music, alternate versions, credit music, or expanded database listings.
- “Fiesta” — Daniel Indart / La Mariachi La Estrella: reported as a film song, but a precise scene placement was not independently established.
- “You Give Love a Bad Name” — Bon Jovi: clearly associated with trailer-song listings, but its inclusion as a confirmed needle drop in the finished film is not established here. Trailer music should not automatically be treated as feature-film music.
- “Looks That Kill” — Mötley Crüe-related listing: appears in secondary databases, but the available evidence does not establish a precise placement.
- “I Hate Myself for Loving You” — Joan Jett and the Blackhearts: listed by secondary references, but no precise scene timing was confirmed.
- “Miami Vice Theme” — Jan Hammer: listed by a secondary database, but its exact use in the final cut remains unverified.
- “Do It Like That,” “Bossa Gardenia,” and a second “Looks That Kill” credit: included in one expanded database listing without scene descriptions or timing. These should be treated as reported additional music rather than confirmed placements.
This distinction is especially important for a guide promising “every song.” A database entry can indicate that music was connected with a production without proving that it is audible in the final theatrical or streaming cut.
Why the soundtrack works for The Fall Guy
The film’s musical identity comes from the collision of familiar songs and a self-aware action score. The licensed tracks communicate quickly: AC/DC supplies rocket-fuel momentum, Taylor Swift gives the central relationship space to breathe, The Darkness amplifies the comic spectacle, Christina Aguilera supplies a playful social setting, and Phil Collins turns karaoke into emotional theater.
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Lewis’s score performs a different job. Its cue titles—such as “Third-Degree Burn,” “Ball Biter,” “Ducking Autocorrect,” “Miami Grilled Cheese,” and “High Noon at the End of the Universe”—reflect the film’s mixture of physical danger and comic timing. The score can support a stunt, a chase, a mistaken-identity beat, or a romantic payoff without relying on the cultural baggage of a pre-existing hit.
That is why the official album and the movie’s full music list should remain separate. One documents the film’s original musical architecture; the other describes the complete listening experience created by songs, score, radio, karaoke, party music, and credits.
Independent reader supportYour contribution helps us test, update, and keep practical guides available for everyone.Quick guide: which release should you get?
| If you want… | Look for… | Important qualification |
|---|---|---|
| The movie in the best physical format | The Fall Guy 4K Ultra HD + Blu-ray + Digital | Check the product listing for the extended cut and confirm the included formats. |
| The original score | Dominic Lewis The Fall Guy soundtrack | The 24-track album is primarily instrumental score, with YUNGBLUD and Blake Shelton vocal tracks. |
| A physical music collectible | Dominic Lewis soundtrack vinyl | The two-LP release is the score, not every licensed song heard in the film. |
| A complete listening playlist | The chronological song list in this guide | Several film songs are not included on the official score album, and some reported database entries remain unverified. |
Accuracy notes about the timings and versions
- The timings are approximate and based on subtitle timing for a roughly 2-hour-6-minute version.
- The subtitle evidence is a useful locator, but it is not an official studio music cue sheet.
- The KISS original, YUNGBLUD cover, and Dominic Lewis orchestral version are separate recordings.
- “Against All Odds (Take a Look at Me Now)” is identified here as the Phil Collins recording.
- Trailer appearances—especially “You Give Love a Bad Name”—should be kept separate from confirmed music in the finished feature.
- Edition-specific differences may affect both timings and the presence or length of scenes.
Frequently Asked Questions
Is every song heard in The Fall Guy on the official soundtrack album?
No. The official Back Lot Music album contains 24 tracks and is dominated by Dominic Lewis’s original score. Several licensed songs heard in the film—including AC/DC’s “Thunderstruck,” Taylor Swift’s “All Too Well (Taylor’s Version),” The Darkness’s “I Believe in a Thing Called Love,” and Phil Collins’s “Against All Odds”—are not part of that album.
Which song plays during the The Fall Guy karaoke scene?
Jody sings along to Phil Collins’s “Against All Odds (Take a Look at Me Now)” during the karaoke-bar sequence, approximately 01:06:21–01:09:27 in the timing basis used here.
Does the original KISS recording appear in The Fall Guy?
Yes. KISS’s “I Was Made for Lovin’ You” appears near the opening and returns during the climax. The official album also contains separate versions by YUNGBLUD and Dominic Lewis’s orchestral arrangement.
Is “You Give Love a Bad Name” in the finished film?
It is clearly reported in trailer-song listings, but the available evidence here does not establish it as a confirmed song in the finished feature. It should therefore be treated as trailer-associated rather than definitively part of the movie’s in-film playlist.
What is the difference between the theatrical and extended versions for soundtrack timings?
The extended cut can add or alter scenes, and streaming or home-media versions may use different edits. The timings in this guide are approximate markers from a roughly 2-hour-6-minute version, not universal frame-accurate timestamps.
The Bottom Line
The Fall Guy has two overlapping but different soundtracks: a lively in-film playlist led by KISS, AC/DC, Taylor Swift, The Darkness, Christina Aguilera, Phil Collins, and Journey, plus Dominic Lewis’s 24-track original score album. Use the song table to locate the movie’s licensed music, and choose the official album or two-LP release if what you want is Lewis’s score—not a complete compilation of every song in the film.
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