The first reported clip from Ali Abbasi’s 2024 film The Apprentice was released on September 3, 2024, offering an early look at Sebastian Stan portraying Donald Trump. Contemporary coverage described Stan’s Trump and Jeremy Strong’s Roy Cohn together in a town car. The clip is a scene from a dramatized feature—not footage of the real Trump.
What happens in the first clip?
Briarcliff Entertainment released the exclusive scene on September 3, 2024. The Independent’s contemporaneous report described Stan as Trump and Strong as Cohn in a town car. That description establishes the scene’s setting and central pairing, but not a full transcript or shot-by-shot account.
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The clip’s central reveal is Stan in character as Trump, opposite Strong as the lawyer and political fixer who figures prominently in the film’s account of Trump’s early rise. It is an initial glimpse of the performances and their on-screen dynamic, rather than a record of an actual conversation.
Who Sebastian Stan and Jeremy Strong play
The Apprentice is a 2024 feature directed by Ali Abbasi. The official Cannes film listing identifies Sebastian Stan as Donald Trump, Jeremy Strong as Roy Cohn and Maria Bakalova as Ivana Trump.
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The film focuses on the young Trump’s ascent and his relationship with Cohn. Cannes’s official synopsis frames that relationship as a Faustian deal. In other words, the clip introduces two central figures in the film’s story, not merely a Trump impersonation in isolation.
When the clip came out—and where it fits in the film’s timeline
The clip arrived in September 2024, after The Apprentice had premiered at the Cannes Film Festival. Scythia Films announced the film’s Cannes selection in April 2024, and the Associated Press reported that its Cannes premiere took place on May 20, 2024. The September clip is therefore a later promotional release from the film’s 2024 festival and theatrical-release cycle—not a new clip from 2026.
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A dramatization, not documentary footage
The Associated Press described the film as “inspired by true events.” That framing matters: The Apprentice dramatizes real public figures and a historical relationship, but its scenes are performances written for a feature film. Claims about what happens in the town car scene should be attributed to the film, not presented as independently established history. The Cannes synopsis supplies the film’s own broad account of the Trump–Cohn relationship; it does not turn every scene detail into a verified historical record.
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