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Bobby Sherman’s recording career is best anchored by four U.S. Billboard Hot 100 Top 10 singles: “Little Woman,” “La La La (If I Had You),” “Easy Come, Easy Go” and “Julie, Do Ya Love Me.” This selection pairs those chart standouts with six songs that broaden the picture of his catalog and his television-era identity. It is an editorial retrospective, not an official ranking: chart reach guides the first four, while TV connections and breadth across a documented greatest-hits track list shape the rest.
What are Bobby Sherman’s most famous songs?
The clearest chart answer is the four-song run that brought Sherman into the U.S. Billboard Hot 100 Top 10 between 1969 and 1970. The Los Angeles Times reported their peaks in 2025; the Associated Press also counted four Top 10 singles that year.
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| Song | U.S. Billboard Hot 100 peak | Timing reported by the Los Angeles Times |
|---|---|---|
| “Little Woman” | No. 3 | October 1969 |
| “La La La (If I Had You)” | No. 9 | January 1970 |
| “Easy Come, Easy Go” | No. 9 | Three months after “La La La (If I Had You)” |
| “Julie, Do Ya Love Me” | No. 5 | September 1970 |
These are U.S. chart positions, not worldwide rankings. “Little Woman” was both Sherman’s first single and the highest-peaking of the four. The AP reported that it earned a gold record in 1969.
Which songs defined Bobby Sherman’s career?
The first four entries below are the documented Hot 100 Top 10 records. The next six are selected from a documented greatest-hits track list to show other parts of Sherman’s recording career; their inclusion here does not mean each is established as a major chart hit. The sequence is not a ranking.
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#1 Best Overall
- Very
- Sherman, Bobby
- Best
1. “Little Woman”
“Little Woman” is the natural starting point: the AP identifies it as Sherman’s first single, and the Los Angeles Times places it at No. 3 on the U.S. Hot 100 in October 1969. Its success marked the beginning of his run of chart hits.
2. “La La La (If I Had You)”
This single reached No. 9 on the U.S. Hot 100 in January 1970, according to the Los Angeles Times. Its Top 10 showing made it one of the four records that define the strongest documented chart stretch of Sherman’s career.
3. “Easy Come, Easy Go”
“Easy Come, Easy Go” also reached No. 9 on the U.S. Hot 100 in 1970. The Los Angeles Times places its peak three months after “La La La (If I Had You),” extending Sherman’s run of Top 10 singles.
Rank #2
- Here
- Sherman, Bobby
- Comes
4. “Julie, Do Ya Love Me”
The Los Angeles Times reports that “Julie, Do Ya Love Me” reached No. 5 in September 1970. It was the highest U.S. Hot 100 peak of the four singles after “Little Woman.”
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“Seattle” connects Sherman’s records directly to his television work: the AP reports that he sang the theme for Here Come the Brides, the series in which he co-starred as Jeremy Bolt from 1968 to 1970. It belongs in a career retrospective because his screen exposure and music success overlapped, not because the available chart reporting establishes a particular peak for the song.
6. “Hey Mister Sun”
“Hey Mister Sun” appears in the documented greatest-hits track sequence. It widens this list beyond the four chart anchors, though the cited reporting does not establish a Hot 100 peak for it.
Rank #3
7. “Cried Like a Baby”
Also present in the compilation track list, “Cried Like a Baby” represents another recording in Sherman’s catalog beyond the best-documented Top 10 singles. Its placement here reflects catalog breadth, not a claim about chart position.
8. “The Drum”
“The Drum” is included in the track listing and adds another title to a selection otherwise weighted toward the early chart run. The available sources establish its inclusion in the compilation, not a chart ranking.
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9. “Waiting at the Bus Stop”
This later recording in the documented track list helps show that Sherman’s recording catalog extended beyond the four Top 10 records of 1969 and 1970. No chart peak for it is established in the cited accounts.
Rank #4
10. “Jennifer”
“Jennifer,” another track in the greatest-hits sequence, rounds out a list built from chart reach, television connection and catalog range. Its selection is an editorial choice rather than a claim that it ranked among Sherman’s biggest singles.
Independent reader supportYour contribution helps us test, update, and keep practical guides available for everyone.How television and music amplified each other
Sherman co-starred on Here Come the Brides and later starred in Getting Together in 1971. The AP described television exposure as translating into a fruitful recording career; the Washington Post likewise linked his visibility on television with his hit-making run. The “Seattle” theme makes that connection audible as well as biographical.
The reach extended beyond singles. The AP reported that six of Sherman’s albums appeared on the Billboard 200, and that Here Comes Bobby spent 48 weeks on that chart and peaked at No. 10. These album figures refer to the U.S. Billboard 200.
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Why this is a selection, not a definitive ranking
Chart records make a strong case for the first four songs, but the available evidence does not establish a universal top ten across Sherman’s catalog. The remaining six are documented on a greatest-hits track list, while comparable chart peaks are not established here. A different list could reasonably prioritize other criteria, such as chart performance, television associations or breadth across his recordings.
In a 1989 interview cited by the Los Angeles Times, Sherman reflected on the loyalty of his audience: “I could have sang ‘Auld Lang Syne’ and they would have bought it.” It is a comment about his fanbase, not an explanation of what any one song meant to him.
Remembering Bobby Sherman
Sherman died on June 24, 2025, at age 81, the Associated Press reported. In a message posted by family friend John Stamos, his wife, Brigitte Poublon, said: “Bobby left this world holding my hand – just as he held up our life with love, courage, and unwavering grace.”
His best-documented musical legacy is the 1969–70 Hot 100 run; his television roles help explain the broad audience that encountered those records. The six additional tracks offer a wider listening path, but they should be understood as selections from his documented catalog rather than a second chart ranking.
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