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Repair common Windows errors and clear accumulated junk for a smoother, more stable PC - no reinstall needed.Free scan · no reinstallSpoilers through the series finale. Conrad boarding a plane to Paris is a thrilling, romantic ending to The Summer I Turned Pretty season 3, episode 10. It doesn’t make Jeremiah’s behavior easier to accept: one critic’s reading of the episode is that his pain comes out as blame and possessiveness, rather than acceptance of Belly’s choice. The two reactions can coexist because the flight is a cliffhanger, not a resolution of the brothers’ conflict—or of Belly’s story.
Why Conrad’s flight feels like the perfect ending
At the end of episode 10, Jeremiah gives Conrad a reluctant blessing to pursue Belly. Conrad then boards a flight to Paris that night. The gesture is decisive: rather than leave his feelings unspoken, he acts on them, setting up the possibility of a reunion just as the episode ends.
That anticipation is the payoff. The flight makes Conrad’s choice feel bold and romantic, but it doesn’t yet show what happens when he reaches Belly. Episode 10 is the penultimate installment; the plane scene is a cliffhanger, not the series ending. Prime Video’s episode listing identifies episode 11, “At Last,” as the series finale.
Why Jeremiah can still frustrate you
In a review of the episode, TechRadar’s Jasmine Valentine focuses on how Jeremiah expresses his hurt. He lashes out, says losing Belly hurts more than losing his mother, hooks up with other people soon after the breakup, and accuses Conrad of taking Belly back vindictively. Valentine reads those moments as making Jeremiah frustrating even as Conrad’s move gives the audience reason to hope. That is a critic’s interpretation of this episode, not a diagnosis of Jeremiah or a verdict every viewer has to share. TechRadar’s episode 10 review lays out that reading.
#1 Best Overall
The difference between hurt and blame
Jeremiah’s pain is understandable; how he directs it is the source of the friction. Conrad’s rebuke—that Belly is not an object—puts the disagreement in terms of her agency. If Jeremiah treats her choice as something Conrad has done to him, he risks obscuring that Belly is the person making the choice.
That distinction explains the mixed reaction in the title. You can want Conrad and Belly to find their way back to each other and still think Jeremiah’s response to losing the relationship is unfair to Belly. Enjoying the romantic payoff doesn’t require excusing the conduct that came before it.
Rank #2
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Episode 10’s ending is not the series ending
In episode 11, Conrad reaches Paris and he and Belly reconnect. The series finale ultimately pairs them, resolving the romantic question in Conrad and Belly’s favor. TIME’s finale explainer notes that the show stages the reunion in Paris, whereas the books send Belly to Spain before she reconnects with Conrad later. TIME’s explanation of the finale describes the difference.
So the plane scene works in two ways: it offers an episode-ending surge of hope, while leaving the emotional fallout unresolved until the finale. Knowing how the series ends changes the suspense, but it doesn’t retroactively make Jeremiah’s episode 10 reaction less complicated.
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Paris also gives Belly a story beyond the love triangle
Paris matters as more than the destination for Conrad’s gesture. In a Los Angeles Times interview published September 15, 2025, series creator and author Jenny Han said sending Belly there after the broken engagement was intended to push her beyond her comfort zone. Han described the value of testing yourself in a new place: “I think as a young person you need to test your mettle and find out what you’re made of.” Read the Los Angeles Times interview with Han.
That context helps keep Belly’s agency in view. Her arc is not only about deciding which brother she loves; it also involves building confidence and discovering what she can do independently. The flight is exciting because it points toward a reunion, but Belly’s time away gives the story room to make her own growth matter.
Rank #4
How the show differs from the books
The Summer I Turned Pretty is based on Jenny Han’s trilogy, including the third novel, We’ll Always Have Summer. But the television story changes details of the adaptation, so the show’s timeline and Paris ending should not be treated as a scene-for-scene reproduction of the books. Amazon’s season announcement describes the series as based on Han’s books. In a July 2025 interview with TheWrap, Han discussed expanding the novels’ two-year time jump to four years; TIME’s comparison of the finale also notes the difference between Belly’s Spain-bound book arc and the show’s France setting. TheWrap’s interview with Han provides more adaptation context.
That history helps explain why viewers bring strong preferences to the screen debate—Han has acknowledged that Team Conrad and Team Jeremiah readers existed before the adaptation. The labels describe the fandom conversation, though they don’t establish which side is larger or what all viewers think.
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