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When Taylor Swift released The Tortured Poets Department on April 19, 2024, fans quickly debated whether several songs drew on her reported brief relationship with Matty Healy, the 1975 singer. The songs most often connected to him included “But Daddy I Love Him,” “loml,” “The Black Dog” and “I Can Fix Him (No Really I Can).” Those links are fan interpretations, not confirmed identities: Swift does not name Healy in the songs, and the reporting documents theories rather than proof. ITV’s April 19, 2024 report captured the debate as the album arrived.
Which songs did fans connect to Matty Healy?
Contemporary coverage described song-by-song speculation about possible autobiographical clues. The associations below are readings reported at the time, not verified accounts of who or what each song is about.
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| Song | What fans or coverage connected to Healy | How certain is the attribution? |
|---|---|---|
| “But Daddy I Love Him” | Some listeners read it as a response to public backlash over Swift’s rumored relationship with Healy. TIME also noted a broader possibility: the song may address scrutiny of Swift’s dating history, not just one relationship. TIME’s analysis | Interpretation; not confirmed as being about Healy. |
| “loml” | Listed by ITV among the songs Swifties associated with him. | Fan theory; no confirmed subject identified in the cited reporting. |
| “The Black Dog” | ITV included it in the fan debate. The Washington Post also pointed to the phrase “The Starting Line” as a possible connection. | Possible lyrical association, not proof of a biographical reference. |
| “I Can Fix Him (No Really I Can)” | Some fans read its portrait of a controversial, smoking man as a reference to Healy. | Fan interpretation; not confirmed. |
| “The Tortured Poets Department” | The Washington Post noted the “tattooed golden retriever” description as a possible clue fans connected to Healy. | Possible reference raised in coverage; not confirmed. |
| “Guilty as Sin?” | The Washington Post described “Downtown Lights” as a possible connection. | Possible reference raised in coverage; not confirmed. |
| “The Smallest Man Who Ever Lived” | The Washington Post noted the “Jehovah’s Witness suit” as a possible reference fans discussed. | Possible reference raised in coverage; not confirmed. |
The Washington Post presented these details as apparent or possible references while describing fans’ attempts to connect lyrics with Swift’s life; they should not be treated as confirmed biographical evidence. Its April 19 guide covered the wider effort to decode the album.
What is confirmed—and what remains speculation?
The reporting described Swift and Healy’s 2023 relationship as reported, and said fans believed songs drew on that period. It did not establish that any specific track is about him. ITV noted that Swift never namechecks Healy in the songs. A lyrical resemblance or perceived clue can explain why listeners make a connection, but it cannot by itself establish the song’s subject.
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- Taylor Swift's 12th studio album, The Life of a Showgirl, will be released worldwide October 3, 2025
There is also no basis in these reports for saying most fans—or all Swifties—held any particular theory. They record examples of a debate, not a survey or a measured share of listeners.
How did Matty Healy respond to the “diss track” question?
Asked about a supposed “diss track,” Healy replied, “My diss track? Oh!” He added: “I haven’t really listened to that much of it, but I’m sure it’s good.” His answer, reported by ITV on April 25, 2024, was brief; it was not a detailed response to the album or confirmation of any song’s meaning. Read ITV’s report of his remarks.
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Why did fans start decoding the album so quickly?
The Tortured Poets Department was announced at the 2024 Grammy Awards as Swift’s 11th studio album, with an April 19 release date. The Associated Press described a 16-track edition when reporting the announcement on February 5, 2024. On release day, ITV described the expanded album as a 31-track double album. Those counts refer to different release contexts, not a single track listing. The AP announcement coverage and ITV’s release-day report provide that context.
The album’s personal-feeling imagery and public discussion of Swift’s life invited listeners to look for real-world connections. But the debate was not solely about identifying a former partner: as TIME’s reading of “But Daddy I Love Him” illustrates, some listeners also heard a broader argument about fame, dating history and public scrutiny.
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