Lee Pace hoped Foundation would get a fourth season and that it could expand the story—but his September 2025 interview did not reveal a season-four plot, release date, or the extent of his own involvement. Apple announced the renewal after the interview took place, so Pace’s comments were hopes expressed before that announcement, not a description of confirmed season-four plans.
What Lee Pace said about a fourth season
In an interview with WIRED, published September 12, 2025, Pace said, “That’s the opportunity, I think. I hope so. I hope we get a fourth season.” He also said, “I hope we get a chance to expand the story in that way.”
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His hope was that the series could build on ideas already introduced: “There’s a big opportunity for the story to grow, and there are things that David has written throughout the first three seasons that if we do get to continue, there’s definitely some seeds that can grow.” Those remarks describe what Pace wanted from a continuation; they do not identify which storylines would continue or what a new season would contain.
What the interview confirms—and what it doesn’t
- Confirmed in the interview: Pace wanted the series to continue and hoped a fourth season could develop ideas planted in the first three seasons.
- Not established by his comments: a season-four synopsis, premiere date, production schedule, or the details of Pace’s future role.
- Timing matters: WIRED reports that Apple announced season four after it conducted the interview. Pace’s “I hope” statements therefore predate the renewal announcement.
Apple’s Foundation press page identifies the show as an Apple TV+ series. It does not establish a season-four release date.
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Why Cleon’s clones are central to Pace’s performance
Pace plays Cleon, a ruler whose successive clones inherit the same imperial role. He describes the character’s identity as a tension between continuity and individuality: “The idea we begin with is that they’re the same person.” But the clones also live through different moments in history and develop distinct experiences, so sameness is never the whole story.
Pace said the actors worked out repeated movements for the clones’ dinner scenes in season one to make their shared identity visible. In season two, they portrayed a brother who rejected the established rules differently. The contrast makes the show’s question tangible: how much of a person comes from a replicated identity, and how much from the life that person actually lives?
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Pace also characterizes Cleon as instinctive rather than conventionally intellectual. That is the actor’s reading of the role, not a definitive statement of the character’s psychology.
How Pace describes the show’s relationship to Asimov
Pace says the series draws on the scope of Isaac Asimov’s fictional world rather than reproducing the books scene by scene. “I really love how on this show we have not treated the making of the series like fan fiction…” he said. He also said he had read Foundation and was already a fan of Asimov.
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That makes the books a useful optional next step for viewers curious about the source material, but Pace’s comments do not establish that any particular book supplies the events of a future season. The interview frames the adaptation as an exploration of Asimov’s broader story world, not a promise of scene-by-scene fidelity.
Independent reader supportYour contribution helps us test, update, and keep practical guides available for everyone.Other themes in the interview
Spoilers for the series: Pace discusses Demerzel, Gaal, and Hari Seldon as different ways the show considers mind, persistence, and apparent escape from death. Those themes help explain why he sees room for the story to grow, but the interview does not tie them to specific season-four developments.
WIRED also reported that Foundation averaged about 1.5 million viewing hours per week in the United States over the preceding month, attributing the figure to Luminate. That is a U.S. estimate for the period WIRED described, not a global or all-time total; WIRED’s report is the available attribution for the number.
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