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In a 2018 interview, Sanya Malhotra and Radhika Madan said that playing the hostile sisters at the heart of Vishal Bhardwaj’s Pataakha meant building characters who felt far removed from themselves. Malhotra played younger sister Genda “Chutki” Kumari; Madan played elder sister Champa “Badki” Kumari. Their preparation included auditions, readings, improvisation, workshops and time in Rajasthan.
Who are Chutki and Badki in Pataakha?
Pataakha follows Champa “Badki” and Genda “Chutki” Kumari, sisters in Rajasthan whose fights erupt over everyday matters. The interview describes them as so combative that their quarrels can seem petty or to have no clear cause. Their lives become still more entangled when they marry into the same household.
The film is based on Charan Singh Pathik’s short story Do Behnein. In the interview, Radhika Madan summed up the recognizable sibling dynamic: “Our characters are like any other siblings.”
How did the actresses approach two very different sisters?
Sanya Malhotra as Chutki
Malhotra characterized Chutki as loud, aggressive and spiteful, and said she could not relate to her. “Chutki is somebody I cannot relate to at all,” she said. The distance between actor and character became part of the challenge: the role let her explore a temperament unlike her own.
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Malhotra also described costume and makeup as aids to entering the character. That detail appears in a contemporaneous Indian Express feature, which discussed the performers’ different approaches to the roles (The Indian Express, “Sister Act”).
Radhika Madan as Badki
Madan described Badki as bossy. The character’s outward behavior came more readily to her than its inner life, and she said it took time to understand Badki’s motivations. In this account, the work was not simply to reproduce a forceful personality but to find what lay beneath it.
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What did their preparation involve?
In the Scroll.in interview, the actresses described a process built from rehearsal and immersion rather than a single technique. Their preparation included:
- Auditions and scene work: Madan recalled auditioning with four scenes after being asked to meet director Vishal Bhardwaj. Malhotra said she prepared three scenes while shooting Badhaai Ho.
- Readings and improvisation: Both described repeated readings and improvisational work as part of finding the sisters’ dynamic.
- Workshops: They worked in workshops with casting director Atul Mongia and Bhardwaj.
- Time in Rajasthan: They recalled spending about six days in Rajasthan at the home of source-story writer Charan Singh Pathik and doing household tasks to get closer to the setting.
These are the performers’ recollections as reported in the interview, not independently documented production records. Malhotra also recalled Bhardwaj offering her the part and telling her she would need to put on weight.
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How did they work on the dialect and setting?
The interview links preparation to the film’s rural Rajasthan setting, including time spent at Pathik’s home and taking on household tasks. Malhotra described the speech as Rajasthani with a Gujjar dialect, adding that the village dialect sounded Haryanvi to her. That is her account of the dialect work, rather than a general linguistic classification.
Why did becoming friends matter for playing enemies?
Malhotra said she and Madan initially seemed like opposites. She explained that growing closer off-screen helped them portray the sisters’ hostility: “But when we became friends, that is when I realised that it is very important to bond with your co-actor to play characters like Chutki and Badki.” The contrast is central to their account: the performers developed trust with each other while playing characters whose relationship was defined by friction.
Independent reader supportYour contribution helps us test, update, and keep practical guides available for everyone.When was Pataakha released?
Scroll.in published its interview on September 23, 2018, and reported that the film was scheduled to open on September 28, 2018. That release date was forthcoming at the time of publication; the interview is best read today as a historical account of the actresses’ preparation and performance, not as current guidance on where the film is available to watch.
