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The Last Supper (2025) is Mauro Borrelli’s approximately 114–115-minute biblical drama about the days leading to Jesus’ death, with the final meal serving as the emotional center. Rather than treating the famous upper-room scene as an isolated tableau, the film focuses on the people around Jesus: Peter’s confidence and fear, Judas’s divided loyalties, John’s closeness to Jesus, and the disciples’ growing awareness that betrayal and arrest are approaching.
This is not The Chosen: Last Supper. The latter is the theatrical presentation of Season 5 of The Chosen, released in three parts. To avoid that common title confusion, this film is best identified as The Last Supper (2025) or Mauro Borrelli’s The Last Supper.
What is The Last Supper (2025) about?
The story covers the final days before Jesus’ crucifixion and is told largely through the viewpoint of those who traveled with him. The distributor’s synopsis places Judas’s conspiracy and Peter’s promise of loyalty at the heart of the drama. That creates a deliberate tension: Peter believes his devotion will hold, while Judas is already moving toward betrayal.
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The film’s central question is less “What did the famous painting look like in real life?” than “What might the people in that room have felt when they understood that their community was coming apart?” Jesus’ final meal becomes a setting for suspicion, affection, conviction, anxiety, and the failure of people who believe they are prepared for what comes next.
Borrelli has said that Leonardo da Vinci’s painting helped prompt his interest in the material, particularly in what might have happened beyond the familiar composition of the upper room. He also described studying Scripture—especially the Gospel of John—and Jewish Passover traditions while developing the film. Those comments explain the movie’s creative goals; they should not be mistaken for proof that the film provides a historically verified reconstruction. Vatican News’ interview with Borrelli provides the clearest account of that approach.
Peter and Judas are the film’s main dramatic engines
Peter receives particular attention. He is presented not simply as the loyal disciple who will later deny Jesus, but as a person whose certainty is continually tested. His conviction, doubt, courage, and fragility give the story an intimate human conflict: Peter wants loyalty to be a decision he can make once and keep forever, but the film places him in circumstances where fear is stronger and more complicated than he expects.
Judas also has a more substantial role than the familiar image of the uncomplicated villain might suggest. Public production commentary describes an attempt to portray him as conflicted and affected by Satan and prophecy. That is the movie’s interpretive choice—not an established historical or theological conclusion—and viewers should evaluate it as a piece of dramatization. By giving Judas interior conflict, the film tries to make betrayal feel like a developing moral crisis rather than a single mechanical plot turn.
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1Repair Windows errors before they cause bigger problems2Fix the driver behind crashes, sound loss and screen glitches3Clear out junk files and repair common Windows errorsThis emphasis on Peter and Judas distinguishes the film’s intended perspective. Jesus remains the narrative center, but much of the tension comes from watching the disciples interpret his warnings, defend their own loyalty, and misunderstand the scale of the danger around them.
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Cast and creative team
- Jamie Ward as Jesus
- James Oliver Wheatley as Peter
- Charlie MacGechan as John
- Nathalie Rapti Gomez as Mary Magdalene
- Robert Knepper as Judas
- James Faulkner as Caiaphas
Mauro Borrelli directed the film and co-wrote the screenplay with John Collins. Production and executive-production materials list Michael Scott, Shawn Boskie, Kenneth Halsband, Ivan Cohen, and Manu Gargi among the producers, with Chris Tomlin among the executive producers. Great American Media presented the film within the faith-and-family film market, alongside Pinnacle Peak Pictures, which is identified with the project’s distribution and production activity. The official Universal Pictures At Home listing confirms the principal cast and core credits.
Is it a biblical documentary or a historical reconstruction?
No. The Last Supper (2025) is a scripted biblical drama. It draws on Gospel events and religious traditions, but it adds dialogue, scenes, motivations, pacing, and character emphasis in order to create a feature-length story.
The most useful way to approach the film is to keep three layers separate:
- The Gospel events: the Passion narrative, the final meal, Peter’s declaration of loyalty, Judas’s betrayal, and the events leading to Jesus’ death.
- Borrelli’s interpretation: an intimate ensemble drama that gives special weight to Peter’s uncertainty and Judas’s inner conflict.
- The cinematic execution: the performances, dialogue, pacing, tone, and visual presentation, which critics and audiences judged unevenly.
Keeping those categories distinct matters for viewers who want either a devotional experience or a historically precise account. The film can invite reflection on familiar religious themes without being treated as authoritative theology or a documentary record.
Release date and where to watch
The United States theatrical release was March 14, 2025. Great American Media announced an exclusive streaming debut on Pure Flix for April 13, 2025, following the theatrical run. Current U.S. availability listings have also reported digital rental or purchase options through services including Amazon Video, Apple TV, and Fandango at Home. Streaming catalogs, prices, subscription requirements, and regional rights change, so viewers should check the service listing before paying.
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For a permanent physical copy, Universal Pictures At Home lists both Digital and DVD editions. If you are specifically looking for the disc, search for The Last Supper (2025) DVD rather than the title alone; the year helps separate this release from other films and from The Chosen: Last Supper. Retail stock, regional editions, and price should be verified at the time of purchase.
Running time, rating, and family-viewing guidance
The reported runtime varies slightly by listing: Box Office Mojo gives 1 hour 54 minutes, while Universal’s home-entertainment page lists 1 hour 55 minutes. A fair description is therefore approximately 114–115 minutes.
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Reception: a mixed response
Critical and audience response was mixed rather than uniformly enthusiastic or dismissive. Positive reactions highlighted credible performances and an adequately entertaining treatment of familiar biblical material. Negative reviews raised concerns about pacing, tone, dialogue, and what some critics considered a conventional or shallow execution.
Audience responses displayed on Rotten Tomatoes were similarly divided. Some viewers valued the film as a sincere portrayal of the biblical story, while others objected to the acting or pacing. That split is a useful guide to expectations: viewers most interested in a direct, faith-oriented dramatization may find its intentions worthwhile, while viewers seeking a formally adventurous or historically exhaustive Passion film may be less satisfied. Rotten Tomatoes’ listing reflects that divided reception.
Box-office performance
Box Office Mojo reports a U.S. and Canadian gross of $6,564,857, an international gross of $128,615, and a worldwide total of $6,693,472. The opening gross was reported as $2,777,234, and the film reached a widest release of 1,575 theaters.
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Those numbers describe theatrical revenue, not profitability. Without a verified production budget, marketing spend, distribution terms, and other financial details, the box office should not be labeled a success or failure solely from the gross.
What works—and what may not
Potential strengths
- A character-centered angle: the film looks beyond the iconic meal to the disciples’ fear, loyalty, and confusion.
- More room for Peter and Judas: their contrasting responses give the story a clear emotional structure.
- Accessible religious drama: viewers familiar with the Passion narrative can follow the central events without needing extensive background.
- A serious tone: the film treats betrayal, death, and spiritual crisis as consequential rather than merely decorative elements.
Potential weaknesses
- Uneven pacing: the buildup to the meal and the surrounding events may feel slow to viewers expecting a more tightly compressed account.
- Conventional dialogue and presentation: some of the mixed reviews questioned whether the drama’s execution matches the importance of its subject.
- Interpretive liberties: the expanded motivations for Judas and the emphasis on individual psychology will not satisfy viewers who want only the text of Scripture.
- Content that may surprise families: the PG-13 rating and references to bloody images, violence, and suicide make it unsuitable as an automatic all-ages recommendation.
Who should watch it?
The Last Supper (2025) is best suited to viewers who want a feature-length dramatization of the days before the crucifixion and who are interested in the disciples’ emotional responses as much as in the sequence of events. It may appeal to faith-based film audiences, church discussion groups, and viewers curious about a Judas-centered interpretation.
It is a less obvious choice for viewers looking for a documentary, a literal reconstruction of first-century Jerusalem, a comprehensive theological study, or a film with the same continuity and characters as The Chosen. In particular, anyone searching for “The Last Supper” should confirm the year, director, cast, and distributor before selecting a listing.
Bottom line
The Last Supper (2025) turns a familiar sacred image into an ensemble drama about loyalty under pressure. Its strongest idea is the decision to treat Peter and Judas as people wrestling with conviction, fear, prophecy, and responsibility rather than as simple symbols. Its mixed reception suggests that the film’s sincerity and subject will matter more to some viewers than its pacing, dialogue, or conventional dramatic choices. Approach it as an interpretation of Gospel events—not as a documentary or definitive theological account—and its purpose is clear.
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Note: This film is separate from The Chosen: Last Supper, the theatrical release built from Season 5 of The Chosen.
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Frequently Asked Questions
Is The Last Supper (2025) the same as The Chosen: Last Supper?
No. The Last Supper (2025) is a separate American biblical drama directed by Mauro Borrelli. The Chosen: Last Supper is the theatrical presentation of Season 5 of The Chosen.
Is The Last Supper (2025) suitable for children?
The film is rated PG-13 for violent content, bloody images, and suicide. It may be appropriate for some teenagers with parental guidance, but it should not be treated as an unrestricted children’s film.
Where can I watch The Last Supper (2025)?
The U.S. theatrical release was March 14, 2025. Great American Media announced a Pure Flix streaming debut on April 13, 2025, and current availability listings have reported digital purchase or rental options. Availability varies by country and can change.
How long is The Last Supper (2025)?
The reported runtime is approximately 114–115 minutes. Box Office Mojo lists 1 hour 54 minutes, while Universal Pictures At Home lists 1 hour 55 minutes.
The Bottom Line
Bottom line: The Last Supper (2025) is a scripted biblical drama focused on Peter, Judas, and the disciples’ deteriorating sense of certainty before Jesus’ death. It is an interpretive, PG-13 film with mixed reviews—not a documentary, historical reconstruction, or installment of The Chosen.
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